The story of the Nazi rise to power in the Germany of the 1930s is often seen as a classic example of how to achieve political ends through propaganda. The Nazis themselves were certainly convinced of its effectiveness, and Adolf Hitler devoted two chapters in his book Mein Kampf ('My Struggle', 1925), to an analysis of its use. He saw propaganda as a vehicle of political salesmanship in a mass market, and argued that it was a way of conveying a message to the bulk of the German people, not to intellectuals.
ABOUT JEWS...
In November 1937 'The Eternal Jew' exhibition opened in Munich, and ran until 31 January 1938, claiming to show the 'typical outward features' of Jews and to demonstrate their allegedly Middle Eastern and Asiatic characteristics. The exhibition also attempted to 'expose' a world-wide 'Jewish-Bolshevik' conspiracy.
The striking poster for the exhibition contrasted Jewish individualism and 'self-seeking' with the Nazi ideal of a 'people's community'. It did this by revealing an 'eastern' Jew - wearing a kaftan, and holding gold coins in one hand and a whip in the other. Under his arm is a map of the world, with the imprint of the hammer and sickle.
The exhibition attracted 412,300 visitors, over 5,000 per day. The Secret Police reports claimed that it helped to promote a sharp rise in anti-Semitic feelings, and in some cases violence against the Jewish community.
Good morning from my coffin...
The story of the Nazi rise to power in the Germany of the 1930s is often seen as a classic example of how to achieve political ends through propaganda. The Nazis themselves were certainly convinced of its effectiveness, and Adolf Hitler devoted two chapters in his book Mein Kampf ('My Struggle', 1925), to an analysis of its use. He saw propaganda as a vehicle of political salesmanship in a mass market, and argued that it was a way of conveying a message to the bulk of the German people, not to intellectuals.
ABOUT JEWS...
In November 1937 'The Eternal Jew' exhibition opened in Munich, and ran until 31 January 1938, claiming to show the 'typical outward features' of Jews and to demonstrate their allegedly Middle Eastern and Asiatic characteristics. The exhibition also attempted to 'expose' a world-wide 'Jewish-Bolshevik' conspiracy.
The striking poster for the exhibition contrasted Jewish individualism and 'self-seeking' with the Nazi ideal of a 'people's community'. It did this by revealing an 'eastern' Jew - wearing a kaftan, and holding gold coins in one hand and a whip in the other. Under his arm is a map of the world, with the imprint of the hammer and sickle.
The exhibition attracted 412,300 visitors, over 5,000 per day. The Secret Police reports claimed that it helped to promote a sharp rise in anti-Semitic feelings, and in some cases violence against the Jewish community.
http://www.donlinke.com/drakula/vlad.htm